In the beginning, I considered the lines appearing as though they were being drawn on. However, with time being so short, that effect would be very rushed.
The director, happened across my water-colour effects for Sheng's film 'Once For A Whole Day' and thought that a similar effect for the ink-reveal would be the best option. It would still be a stylistic unveiling of the map features, in tone with the paper-theme we are creating, but would allow us to carry out the reveal much quicker.
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